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Western Cultural Beliefs in Wole Soyinka’s Death and King’s Horseman Image
Journal article

Western Cultural Beliefs in Wole Soyinka’s Death and King’s Horseman

Wole Soyinka's play Death and King's Horseman reflects the cultural conflict between the African and Western worlds. The play is based on an actual event that took place in 1946 when British colonial authorities prevented the customary ritual suicide from taking place. In Yoruba society the community is more important than the individual. It was also their tradition for the first horseman to commit suicide after the king's death. When the realization of this tradition is prevented by the white authorities, the horseman's son, who had received a European education commits suicide in place of his father. Building on Frantz Fanon's theories, my aim in this article is to challenge universal assumptions concerning right and wrong which may have different connotations for black and white culture.
Shakespeare’s women characters as a mirror of society Image
Journal article

Shakespeare’s women characters as a mirror of society

Shakespeare is undoubtedly the world's most influential poet and dramatist. His works have been studied by many people and his plays have been made into movies and even live performances. In each of his play we find the grim reality of human conscience. Shakespeare's presentation of women in his plays demonstrates his feelings about women and their role in the society. In his plays women do not constitute main character, yet they play an important part. We can see the impact of society and time on the feminine characters in his plays. During Shakespearean age women had very little authority, autonomy and recognition. They gained their status based on the position of their father or husband. They were expected to be a silent observer. Under those circumstances, Shakespeare created such a beautiful and memorable characters like Beatrice, Cleopatra, Juliet, Rosalind, Hermione, Lady Macbeth, Helena& Hermia , Olivia and Viola etc. all these unforgettable characters act as a mirror to Shakespearean age. Thus the main aim of this research paper is to highlight the correlation of his women characters with the time and society and in what ways they act as a mirror or reflection.
Women and Ecology: An Eco\u002DFeminist Reading of Chinua Achebe’s Things Fall Apart Image
Journal article

Women and Ecology: An Eco-Feminist Reading of Chinua Achebe’s Things Fall Apart

An Afro\u002DExistential Approach to the Development of the Nigerian Society Image
Journal article

An Afro-Existential Approach to the Development of the Nigerian Society

Technological determinism and new media Image
Journal article

Technological determinism and new media

Women and Ecology: An Eco\u002DFeminist Reading of Chinua Achebe’s Things Fall Apart Image
Women and Ecology: An Eco\u002DFeminist Reading of Chinua Achebe’s Things Fall Apart Image
Journal article

Women and Ecology: An Eco-Feminist Reading of Chinua Achebe’s Things Fall Apart

An Afro\u002DExistential Approach to the Development of the Nigerian Society Image
An Afro\u002DExistential Approach to the Development of the Nigerian Society Image
Journal article

An Afro-Existential Approach to the Development of the Nigerian Society

Technological determinism and new media Image
Technological determinism and new media Image
Journal article

Technological determinism and new media

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Context as a Basis for Understanding Pragmatic Ambiguity with Reference to Arabic Image
Journal article

Context as a Basis for Understanding Pragmatic Ambiguity with Reference to Arabic

The study of ambiguity has been a central issue in the formulation of linguistic theory, and has been an area which serious psycholinguistic study has focused on since the past two decades. The current study deals with “Context as a Basis for Understanding Pragmatic Ambiguity with Reference to Arabic” and the methods that can be used for translating this phenomenon into Arabic taking into consideration the same effect of the SL writer. No doubt, pragmatic ambiguity is problematic since it is based on intentionality. However, it becomes more problematic when it is translated into Arabic, simply, because English and Arabic are genetically different languages. This research paper aims at (1) studying the phenomenon of pragmatic ambiguity which is the output of any other type of ambiguity such as phonetic ambiguity, phonological ambiguity, lexical ambiguity, sentential ambiguity as well as semantic ambiguity, (2) making the context crystal clear which has an effective impact on understanding the expressions under investigation since intentionality cannot be deduced without knowing context, (3) specifying different patterns of pragmatic ambiguity in the books and articles of pragmatics, (4) translating the specified patterns into Arabic to show their realizations and whether, they will have the same effects as to that of source language or not. It is hypothesized in this research that (1) there is no formal correspondence between English and Arabic, (2) pragmatic ambiguity cannot be solved unless both context and cotext of the phenomenon in question are known, (3) all types of ambiguity cannot be interpreted unless the intention of the writer is clear which is context and cotext bound To test the validity of the above mentioned hypothesis, it is to be noted that only eight different patterns have been chosen to be translated into Arabic, (2) these expressions were translated by six assistant lecturers in the department of Translation/Cihan University/Erbil, (3) Newmarks' method of communicative translation will be adopted in the research under investigation, since it tackles the intention of the writer. The basic conclusions of this research are that, (1) all types of ambiguity are based on the intention of the writer, (2) there was no formal correspondence between both source language and target language, (3) the pragmatic ambiguity was solved by resorting to both cotext and context.
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