This paper is motivated by a case study of the Tiga Wanita theater performance. As a show, Tiga Perempuan has the potential to be made into a film. This change from stage media to film screens can be called the transfer of rides, a source of initial ideas that the directors can respond to. Tiga Wanita departed from the issue of cultural resilience. Women as actors in the art of saluang dendang are appointed as creative ideas by stringing conflict plots using multiplot stages. This change can be seen in how the construction of cinematography and mise-en-scene can be used. Using film theory and transfer of rides, the possible choices and offers in responding to the theatrical performance, one of them, is using qualitative data that has been obtained in the field so that the changes made can be analyzed descriptively.